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Vous avez sélectionné:
The Sacred Flute Soloist
Partitions à imprimer
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The Sacred Flute Soloist
Flûte traversière et Piano
Flute - Digital Download 10 Solos Arranged for Flute and Keyboard. Edited by Jean Anne S…
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Flute - Digital Download 10 Solos Arranged for Flute and Keyboard. Edited by Jean Anne Shafferman. This edition: Book (Reproducible Flute Solos). Church Reproducible; Woodwind - Flute Method or Collection; Worship Resources. Sacred. Book. 74 pages. Jubilate Music Group - Digital #00-19844. Published by Jubilate Music Group - Digital
English. This outstanding anthology of traditional hymns, immortal classics and beloved folk songs for flute soloist with keyboard accompaniment receives our highest recommendation! Featuring the combined talents of Jay Althouse, Mark Hayes, Lloyd Larson, Patrick M. Liebergen and Anna Laura Page, The Sacred Flute Soloist also offers REPRODUCIBLE flute solo pages! Ideal for the worship musician and student flautist, this collection also boasts a full performance/accompaniment CD recording, available separately or in a book/CD kit.
$15.95
14.25 €
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Flûte traversière et Piano
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The Sacred Flute Soloist
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.84 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.84 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Promised Land Early American Hymns from the Shape-Note Tradition
Vocal - Beginning - Digital Download SKU: M0.30856EB Christian. Woodwinds. E-book. …
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Vocal - Beginning - Digital Download SKU: M0.30856EB Christian. Woodwinds. E-book. 37 pages. Mel Bay Publications - Digital Sheet Music #30856EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30856EB). ISBN 9781513470801. 8.75x11.75 inches.With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or “singings†are not easily accessible. The hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.
Song List: All Is Well Bozrah Consolation (Morning Song) David's Lamentation Dundee (Norwich Tune) Evening Shade Fairfield GREENLAND Holy Manna Idumea Jesus Wept (When) Kedron Lone Pilgrim Middlebury Nativity New Britain (Amazing Grace) O Come, Come Away Promised Land Quapah Restoration Star In The East Tender Thought Union Vernon Wayfaring Stranger Wondrous Love
$9.99
8.92 €
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Promised Land Early American Hymns from the Shape-Note Tradition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.44 €
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Flûte traversière et Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.44 €
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Flûte traversière et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Flute Quintet)
Quintette de Flûte : 5 flûtes
Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download…
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Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1249458 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 23 pages. Roger Wallace #843892. Published by Roger Wallace (A0.1249458). Flute Quintet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the fourth voice. The third verse features antiphonal lines accompanying the melody played by the bottom voices.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: C FlutePart 4: C FlutePart 4: Alto Flute Part 5: Alto FlutePart 5: Bass FlutePart 5: Cello (substitute for Bass Flute)The audio sample represents a Flute Quintet (Piccolo, 2 Flutes , Alto Flute, Bass Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
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Quintette de Flûte : 5 flûtes
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
God Rest You Merry, Gentlemen (Flute Quintet)
Quintette de Flûte : 5 flûtes
Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download…
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Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1263859 Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Sacred. 21 pages. Roger Wallace #856772. Published by Roger Wallace (A0.1263859). Flute Quintet with Multiple Part Options. The Christmas classic is performed in swing style. The second verse features the melody traded by the bottom voices.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: C FlutePart 4: C FlutePart 4: Alto Flute Part 5: Alto FlutePart 5: Bass FluteThe audio sample represents a Flute Quintet (Piccolo, 3 Flutes, Alto Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
#
Quintette de Flûte : 5 flûtes
#
Traditional
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Roger Wallace
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God Rest You Merry, Gentlemen
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Roger Wallace
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SheetMusicPlus
God Rest You Merry, Gentlemen (Flute Quartet)
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1264336 Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Sacred. 18 pages. Roger Wallace #857200. Published by Roger Wallace (A0.1264336). Flute Quartet with Multiple Part Options. The Christmas classic is performed in swing style. The second verse features the melody traded by the bottom voices.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: C FlutePart 3: Alto Flute Part 4: Alto FlutePart 4: Bass FluteThe audio sample represents a Flute Quartet (Piccolo, 2 Flutes, Alto Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
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Quatuor de Flûtes : 4 flûtes
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Traditional
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Roger Wallace
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God Rest You Merry, Gentlemen
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Roger Wallace
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SheetMusicPlus
God Rest You Merry, Gentlemen (Flute Trio)
Trio de Flûtes: 3 flûtes
Flute Trio,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Trio,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1265058 Composed by Traditional. Arranged by Roger Wallace. Christmas,Jazz,Sacred. 17 pages. Roger Wallace #857899. Published by Roger Wallace (A0.1265058). Flute Trio with Multiple Part Options. The Christmas classic is performed in swing style. The second verse features the melody traded by the bottom voices.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 2: Alto Flute Part 3: Alto FlutePart 3: Bass FluteThe audio sample represents a Flute Trio (2 Flutes, Alto Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
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Trio de Flûtes: 3 flûtes
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Traditional
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Roger Wallace
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God Rest You Merry, Gentlemen
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Roger Wallace
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SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel) - Flute Quintet
Quintette de Flûte : 5 flûtes
Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download…
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Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1250622 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 13 pages. Roger Wallace #844918. Published by Roger Wallace (A0.1250622). Flute Quintet with Multiple Part Options. Features all parts. The development section includes antiphonal lines accompanying the melody played by various voices.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: C FlutePart 4: C FlutePart 4: Alto Flute Part 5: Alto FlutePart 5: Bass FlutePart 5: Cello (substitute for Bass Flute)The audio sample represents a Flute Quintet (3 Flutes, Alto Flute, Bass Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
#
Quintette de Flûte : 5 flûtes
#
Traditional
#
Roger Wallace
#
O Come, O Come, Immanuel
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Roger Wallace
#
SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel) - Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1250960 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 18 pages. Roger Wallace #845252. Published by Roger Wallace (A0.1250960). Flute Quartet with Multiple Part Options. Features all parts. The development section includes antiphonal lines accompanying the melody played by various voices.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: C FlutePart 3: Alto Flute Part 4: Alto Flute Part 4: Bass FlutePart 4: Cello (substitute for Bass Flute)The audio sample represents a Flute Quartet (2 Flutes, Alto Flute, Bass Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
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Quatuor de Flûtes : 4 flûtes
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Traditional
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Roger Wallace
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O Come, O Come, Immanuel
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Roger Wallace
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SheetMusicPlus
Two English Carols (Coventry Carol; What Child Is This?) - Flute Quintet
Quintette de Flûte : 5 flûtes
Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download…
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Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1247893 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. 22 pages. Roger Wallace #842450. Published by Roger Wallace (A0.1247893). Flute Quintet with Multiple Part Options. The beautiful melodies of both carols are shared by various parts. The conclusion (coda) combines both melodies.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: C FlutePart 4: C FlutePart 4: Alto Flute Part 5: Alto Flute Part 5: Bass FlutePart 5: Cello (substitute for Bass Flute)The audio sample represents a Flute Quintet (4 Flutes, Alto Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
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Quintette de Flûte : 5 flûtes
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Traditional
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Roger Wallace
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Two English Carols (Coventry Carol; What Child Is This?) - Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1248392 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. 19 pages. Roger Wallace #842914. Published by Roger Wallace (A0.1248392). Flute Quartet with Multiple Part Options. The beautiful melodies of both carols are shared by various parts. The conclusion (coda) combines both melodies.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: C FlutePart 3: Alto Flute Part 4: Alto Flute Part 4: Bass FlutePart 4: Cello (substitute for Bass Flute)The audio sample represents a Flute Quartet (3 Flutes, Alto Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
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Quatuor de Flûtes : 4 flûtes
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Traditional
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Roger Wallace
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Two English Carols (Coventry Carol; What Child Is This?) - Flute Duet
2 Flûtes traversières (duo)
Flute Duet Alto Flute - Level 4 - Digital Download SKU: A0.1248882 Composed by Trad…
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Flute Duet Alto Flute - Level 4 - Digital Download SKU: A0.1248882 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. Score. 11 pages. Roger Wallace #843356. Published by Roger Wallace (A0.1248882). Flute Duet with Multiple Part Options. The beautiful melodies of each carol are shared by both parts. The conclusion (coda) combines both melodies.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 2: Alto FluteThe audio sample represents a Flute Duet (2 Flutes).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$3.99
3.56 €
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2 Flûtes traversières (duo)
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Traditional
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Roger Wallace
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Ave Maria Easter Version SATB violin or flute or cello and piano
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - L…
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1340935 Composed by Franz Schubert. Arranged by Connie Boss. Easter,Holiday,Religious,Sacred. 18 pages. Connie Boss #926508. Published by Connie Boss (A0.1340935). This Easter version of Ave Maria tells how Mary Magdeline went to the tomb the third day after Jesus was crucified. When she arrives, she sees that the stone has been rolled away. She runs to find help and gets Simon Peter to go with her. They find Jesus was no longer there. He had risen from the dead on the third day as he had told them. He went to Heaven to be with his father. She is telling Mary about their discovery. This version is for SATB with a soloist and choice of flute, violin or cello with parts included and piano. I have other versions on here as well.For requests or questions, email cdboss@cvalley.netAve Maria, I have exciting news for youMaria, I just came from HIs tombMaria, the stone was removedAve, Ave, I ran to get helpTo bring help to the tombSimon Peter went with me to the tombHe found that Jesus was no longer thereHis burial cloths were lying thereLying there on the floor of the tombAve Maria….. Ave Maria, mother of GodMaria, do not be afraidMaria, Jesus was raised on highAve, Ave Maria, it was just as he saidThat he would rise on the third dayAnd now He joins his father in heavenAnd He will sit at His right handYour son has saved the world from sinAve, Maria……….
$7.99
7.14 €
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Franz Schubert
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Connie Boss
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Ave Maria Easter Version SATB violin or flute or cello and piano
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Connie Boss
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Flute Quartet)
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1249736 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 19 pages. Roger Wallace #844126. Published by Roger Wallace (A0.1249736). Flute Quartet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the third voice. The third verse features antiphonal lines accompanying the melody played by the bottom voices.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: Alto Flute Part 4: Alto FlutePart 4: Bass FlutePart 4: Cello (substitute for Bass Flute)The audio sample represents a Flute Quartet (Piccolo, Flute, Alto Flute, Bass Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
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Quatuor de Flûtes : 4 flûtes
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Flute Duet)
2 Flûtes traversières (duo)
Flute Duet Alto Flute - Level 4 - Digital Download SKU: A0.1250216 Composed by Trad…
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Flute Duet Alto Flute - Level 4 - Digital Download SKU: A0.1250216 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score. 11 pages. Roger Wallace #844551. Published by Roger Wallace (A0.1250216). Flute Duet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the second voice. The third verse features antiphonal lines accompanying the melody played by the second voice.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 2: Alto Flute The audio sample (“Listenâ€) represents a Piccolo-Flute Duet.The YouTube sample (“Watchâ€) represents a Piccolo-Alto Flute Duet in which the third verse Alto Flute melody is performed in the lower register.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$3.99
3.56 €
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2 Flûtes traversières (duo)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Flute Trio)
Trio de Flûtes: 3 flûtes
Flute Trio,Woodwind Ensemble Alto Flute,Piccolo - Level 4 - Digital Download SKU: A0.12…
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Flute Trio,Woodwind Ensemble Alto Flute,Piccolo - Level 4 - Digital Download SKU: A0.1250063 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 12 pages. Roger Wallace #844461. Published by Roger Wallace (A0.1250063). Flute Trio with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the third voice. The third verse features antiphonal lines accompanying the melody played by the third voice.Part 1: Piccolo Part 1: C FlutePart 2: C FlutePart 3: Alto Flute The audio sample represents a Flute Trio (Piccolo, Flute, Alto Flute).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
8.92 €
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Trio de Flûtes: 3 flûtes
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Flute Solo and Piano
Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Compos…
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Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723707. Published by Adrian D Biggs (A0.882258). Agnus dei for high or medium Voice, Flute Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
6.25 €
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G
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A
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Agnus Dei for High or Medium Voice, Flute Solo and Piano
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Adrian D Biggs
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SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel) - Flute Duet
2 Flûtes traversières (duo)
Flute Duet Alto Flute - Level 3 - Digital Download SKU: A0.1251356 Composed by Trad…
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Flute Duet Alto Flute - Level 3 - Digital Download SKU: A0.1251356 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. Score. 7 pages. Roger Wallace #845632. Published by Roger Wallace (A0.1251356). Flute Duet. The opening melody is traded between parts. The development section includes antiphonal lines in Part 2 accompanying the melody.Part 1: C FlutePart 2: Alto Flute This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$3.99
3.56 €
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2 Flûtes traversières (duo)
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Traditional
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Roger Wallace
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O Come, O Come, Immanuel
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Roger Wallace
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Flute Solo and Organ
Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Compos…
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Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5970695. Published by Adrian D Biggs (A0.882268). Agnus dei for high or medium Voice, Flute Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, flute, and organ and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available in a piano version.
$7.00
6.25 €
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G
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A
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Agnus Dei for High or Medium Voice, Flute Solo and Organ
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Adrian D Biggs
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SheetMusicPlus
Lo! How a Rose E'er Blooming (Flute & Piano)
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1502544 Composed by Traditional. A…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1502544 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Score and part. 8 pages. Roger Wallace #1078291. Published by Roger Wallace (A0.1502544). Flute Solo with Piano Accompaniment.Can also be played by Recorder/Oboe/Violin.Package includes a part for Clarinet/Soprano Sax.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Flute solo.Full and Piano Accompaniment demonstrations (in MP3) of the Flute solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$5.99
5.35 €
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Flûte traversière et Piano
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Flute and Piano
Flûte traversière et Piano
Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Variou…
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Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Sacred, General Worship, Easter, Lent. Score, Solo Part. 26 pages. Published by David McKeown
and separate Flute part are included in the single PDF file.<br> <br> 16 Favourite Easter Hymns for Solo Flute and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Flute and Piano useful for building ensemble, reading and rhythmic skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)
$7.60
6.79 €
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Flûte traversière et Piano
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Various
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16 Favourite Easter Hymns for Solo Flute and Piano
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David McKeown
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SheetMusicPlus
John 4:24 (flute and soprano)
Instrumental Duet Flute,Instrumental Duet,Voice - Level 5 - Digital Download SKU: A0.77…
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Instrumental Duet Flute,Instrumental Duet,Voice - Level 5 - Digital Download SKU: A0.773797 Composed by Anthony Giamanco. Concert,Contemporary,Sacred,Standards. Score and parts. 4 pages. Whole Tone Press #5371997. Published by Whole Tone Press (A0.773797). This brief 12-tone work for soprano soloist and flute will stretch both performers, requiring them to navigate extreme intervallic leaps and constant dynamic shifts. The soprano soloist has, arguably, the more taxing role, having to negotiate, within its 18 measures, two octaves plus a fourth. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$3.25
2.9 €
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Anthony Giamanco
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John 4:24
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Whole Tone Press
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SheetMusicPlus
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